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Romance
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Romance comics have an outdated and cheesy stigma about them, but once they played a large role within comic history. Within the third phase of the Golden Era (1948 to 1954) comic readership was at an all-time high, read by both men and women, and romance comics were one of the five genres that kept comic readership diverse. In an attempt to bring more diversity back to comics, Arcana is proud to present the Amour anthology!
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Marlow is an ex-Marine caught in a dilemma impossible to solve: commit atrocious acts for a global corporation in order to receive medicine that keeps him from reverting to a zombie state, or walk away and suffer the fate of becoming some terrible creature. Struggling with his fears of his affliction and the monster he might become, Marlow abandoned his wife and young daughter, losing his dignity and freedom as he chose a nihilistic life. It is only during this journey that Marlow realizes that perhaps by avoiding suffering he has become like the zombies he so fears to become and that the only way out is to suffer his fate and become one.
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It is only during this journey told in the story that Marlow realizes that perhaps by avoiding suffering he has become like the zombies he so fears to become and that the only way out is to suffer his fate and become one. "Marlow is a zombie tale about suffering and its part in our humanity, and, in that sense, not about zombies at all.
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It is only during this journey told in the story that Marlow realizes that perhaps by avoiding suffering he has become like the zombies he so fears to become and that the only way out is to suffer his fate and become one. "Marlow is a zombie tale about suffering and its part in our humanity, and, in that sense, not about zombies at all.
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It is only during this journey told in the story that Marlow realizes that perhaps by avoiding suffering he has become like the zombies he so fears to become and that the only way out is to suffer his fate and become one. "Marlow is a zombie tale about suffering and its part in our humanity, and, in that sense, not about zombies at all.
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It is only during this journey told in the story that Marlow realizes that perhaps by avoiding suffering he has become like the zombies he so fears to become and that the only way out is to suffer his fate and become one. "Marlow is a zombie tale about suffering and its part in our humanity, and, in that sense, not about zombies at all.
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United in their forbidden love, Joy and Rurik fight a small army of Neurian flesh-eaters who have come to kill Rurik for abandoning their fading clan.
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Stumbling onto the feud of an old clan of shape-shifters, a college graduate named Joy finds herself looking after a rogue named Rurik. In a cabin in the woods, feelings quickly develop between the two unlikely lovers as Rurik’s people draw close. United in their forbidden love, Joy and Rurik fight a small army of Neurian flesh-eaters who have come to kill Rurik for abandoning their fading clan.
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Stumbling onto the feud of an old clan of shape-shifters, a college graduate named Joy finds herself looking after a rogue named Rurik. In a cabin in the woods, feelings quickly develop between the two unlikely lovers as Rurik’s people draw close. United in their forbidden love, Joy and Rurik fight a small army of Neurian flesh-eaters who have come to kill Rurik for abandoning their fading clan.
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Stumbling onto the feud of an old clan of shape-shifters, a college graduate named Joy finds herself looking after a rogue named Rurik. In a cabin in the woods, feelings quickly develop between the two unlikely lovers as Rurik’s people draw close. United in their forbidden love, Joy and Rurik fight a small army of Neurian flesh-eaters who have come to kill Rurik for abandoning their fading clan.
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